USM Haller was developed in the late 1960s as furniture, but it has always behaved more like architecture. A system of chrome-plated tubes and panels, endlessly reconfigurable, built to outlast trend cycles. It's an apt frame for the Stan Smith, a shoe defined by the same restraint: clean leather upper, perforated three stripes, a single green heel tab doing all the talking. In the installation, the grid runs in milky white and green, echoing the Stan Smith's own palette. Everything else in the space is kept minimal, so the dialogue between object and system stays at the centre.
